Anamorphosys is part of an exploration that delves into the relationship between topology and the pictorial plane. The distortion in this instance alludes to the concept of metamorphosis, positioning the artwork between the realms of abstraction and figuration.

"A traditional portrait tries to capture what is unique and special about a person, to resemble us like a drop. The one of the multiplicity. In this painting, insatead, I focused on what circulates in and between things. What flows. The one in the multiplicity. It is not about the single drop of water, but the water in the drop." –  G.F.

I have been involved since the early stages, working to refine the initial concept into a tangible and reproducible kinetic mechanism. Here, an intense testing phase commenced, guiding the development and definition of the final system. Once validated in terms of effectiveness, modularity, noise, and reliability, it was adapted into two configurations: a suspended one and a wall-mounted version.The artworks were exhibited in Tunis, Selma Feriani Gallery, and Milan, Triennale.